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ALEKSANDRA JOVANIĆ

Code Weaveresses

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Art by Aleksandra Jovanić - Code Weaveresses Note: This is only a preview.

What began as Armin Hofmann's exercises in style and composition with juxtaposed graphical components, quickly started to look like I'm weaving complicated plots, visually similar to textile works by Bauhaus women - Gunta Stölzl, Anni Albers, Gertrud Preiswerk, and others.

When Gropius founded the Bauhaus school in 1919, he proclaimed that “every eligible person whose talent and training are considered adequate will be accepted without regard to age and sex.” However, in practice, discriminatory gender roles were reinforced, and female students were guided and advised to work with textiles. A hundred years later, it is disappointing to see we still carry on with inherited gender roles. Check the number of female computer science students in your country. How are things going "at the intersection of arts and technology"? I've implemented some of the percentages from Serbia in the distribution of shapes in the final compositions.

"When a group is underrepresented, people come to take that underrepresentation as the norm." Since representation is imperative to achieving equality, it is equally critical to change the biases we’ve developed over centuries.

fx(hash) collection size 64

PRICE: 10 XTZ per edition

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ANA MARÍA CABALLERO

MAMMAL ONE

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Art by Ana Maria Caballero - Mammal One Note: This is only a preview.

A spoken-word poem by Ana María Caballero visualized via a series of works coded in p5js that convey pregnant time–with its sensations of inevitability, vulnerability, and physical entrapment. Written in Caballero’s signature straightforward style, this text forms part of her latest manuscript MAMMAL, which explores how biology delimits our cultural rites.

1080 x 1080
0:41 seconds

1/1 artwork

RESERVE: 200 XTZ / 48 hour auction

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ANNA CARRERAS

Pinzell d'Arbres

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Art by Anna Carreras - Pinzell d'Arbres Art by Anna Carreras - Pinzell d'Arbres Art by Anna Carreras - Pinzell d'Arbres Art by Anna Carreras - Pinzell d'Arbres Art by Anna Carreras - Pinzell d'Arbres Art by Anna Carreras - Pinzell d'Arbres
Note: This is only a preview.

Lines, only lines.
Branches, trees, nature.
I can't reproduce the perfection and errors of nature digitally.
Can we code pure digital images that recall our memories of nature scenery?
Lines, only lines.
Details.
Look closer, closer.
Lines, only lines are my paintbrush.

6 artworks as 1/1

PRICE: 1.4 ETH each

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CONNIE BAKSHI

still, i search

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Art by Connie Bakshi - still, i search Note: This is only a preview.

When the divination for meaning would be captured in the swing of a pendulum, where does the truth lie?

‘still, i search’ draws a line between the act of dowsing by pendulum and the scroll by internet search engine query. In a translation from the physical to digital practices of search, the fulcrum of the swing would move from the hand of the beholder to an unknown, unseen point of reference far beyond the plane of the screen. Keystrokes of a perpetual question echo between swings, asking, “what is the length of a pendulum?” — considering the means by which we perceive, process, and act on information in an algorithmic age.

MP4 | 3000x3000 | 0:30
2022 by @conniebakshi x AI

Edition of 3

PRICE: 75 XTZ per edition

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EMILY XIE

Assemblage

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Art by Emily Xie - Assemblage Art by Emily Xie - Assemblage Art by Emily Xie - Assemblage

Assemblage is a generative art series of 6 pieces made in Javascript using p5.js. It explores medium, materiality, and emotion as mediated by machine.

The algorithm draws energetic lines that flow throughout the piece. Meanwhile, it creates and shreds generative papers, strewing the fragments across the canvas. Scraps with patterns embodying Xie's femininity and culture overlay each piece, contributing to the sense of depth and tactility. These elements collectively come together to create deeply human and emotive compositions that subvert their own medium.

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HANEEFAH ADAM

per se

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Art by Haneefah Adam - per se Note: This is only a preview.

by itself. in itself. of itself.

I am who I am because of the people I have met, the places I have been, and the things I have done.

I am who I am because of all the things that make me: my name, my skin color, my family history, my dreams, and all the other things that make us unique as individuals.

I am who I am because of everything that makes us human: our emotions and feelings, hopes and fears, and infinite capacity for love and care for each other.

I am who I am because of what we can do when we work together for a common good; when we share our time and talent to help others; when we work together towards a common goal; when we stand up for justice for those whose voices are not heard enough.

I know my truth, I know who I am. Who are you? By yourself? In yourself, and of yourself?

1/1 artwork

PRICE: 1.5 ETH

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ISKRA VELITCHKOVA

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Behind curtains: the world is begging for meaning - Fire

Art by Iskra Velitchkova - Behind curtains: the world is begging for meaning – fire
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Behind curtains: the world is begging for meaning - Cabo Polonio

Art by Iskra Velitchkova - Behind curtains: the world is begging for meaning – cabo polonio
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Behind curtains: the world is begging for meaning - Missing

Art by Iskra Velitchkova - Behind curtains: the world is begging for meaning – missing
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Is a curated series of 3 pieces from Behind curtains, a generative exploration of what we don’t see but we perceive. The world is begging for meaning is a battle cry. It’s about loneliness, loss and grief. It’s about the last station just before taking a breath and bringing life back. A moment when often only nature is there to listen and help. What about when it is nature who needs to be listened to?

Each artwork is a 1/1

RESERVE: 1500 XTZ / 48 hour auction

IVONA TAU

Time Still IV

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Art by Ivona Tau - Time Still IV

Exploring the visual indeterminacy of AI-generated images, with a trompe-l'œil of the different perspectives.

Edition of 5

Price: 250 XTZ per edition

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KALEN IWAMOTO

Degenerate &
Generate

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Generate and Degenerate are a diptych of generative poetry co-created with GPT-3. The code was written by GPT-3 in response to the artist's command "write generative poetry in p5js code". The set of words following the words "generate" and "degenerate" were also collected using GPT-3. By using GPT-3 to create the code and to generate words, the pieces merge the old and new iterations of generative poetry -- the first, according to ELO, a "poetic project that uses code, algorithm, or other indeterminate means to generate poetic texts", and the more recent use of natural language processing models like GPT-3 to generate text. By letting GPT-3 create the code, this work draws out the machine's nostalgic and decidely un-self-reflexive understanding of generative poetry.

Each artwork is an edition of 5

PRICE: 20 XTZ per edition

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LIA SOMETHING

New Perspectives - Part I &
New Perspectives - Part II

Twitter //Instagram

To learn something new we have to line up everything in front of us: the things we know against the things we want to know, alongside the things that we cannot yet grasp. We move in, deeper, closer, looking and absorbing, turning ourselves and our conceptions over to try and incorporate the new into what we already understand. Proximity overlays ideas until they blend. Horizons collapse, twist together, tease and tear themselves apart. When it works we emerge from our encounter with novelty at a place where we can once again see everything lined up in front of us: what we knew before, alongside and intermingled with what we have learnt in our intimate encounter with the new. //
Text:
Damian Stewart
2022 by LIA
(www.liaworks.com)

Each artwork is an edition of 20

PRICE: 50 XTZ per edition

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LINDA DOUNIA

The garden at dawn, The garden at dusk, The garden at twilight, The garden under the sun

Twitter //Instagram

The piece is one of 5 pieces depicting the same garden under different light conditions from my long-form project 'Once Upon A Garden' – a digital garden born from a collaboration between me and a GAN which debuted at Art X Lagos in November 2022. It is a dystopian projection of a likely outcome of global warming, that depicts a world where humans now have to live with simulated images of plants and flowers, which have all disappeared from the earth. Through collections of AI-assisted photographs of a variety of indigenous flora, native to the Sahel region of West Africa, the installation puts forward the fundamental question:

Can our contemplation of art restore our collective ability to introspect on our environment and our sense of responsibility towards preserving it?

The installation attempts to answer this through the spectacle of flora as a distant memory, to elicit a longing for what has been lost and hopefully trigger the desire to protect what has survived.

I first compiled a list of over 100+ species of flora endemic to the Sahel region and classified as endangered by IUCN's Red List of Endangered Species. I then scoured the web for images of these plants to create the database I would later use in the first round of training. I had come across some of these plants before, but many were new to me. It dawned on me that I might not get to see a majority of these plants in nature within my lifetime given the rate at which wildlife is disappearing from the earth. From this database, I then shortlisted 8 of the plants that I imagine would fit well together in a bouquet, and used the commercial AI tool DALL.E to generate a large set of variations of each plant. This allowed me to compile a second, more refined, database specifically for this installation which I used to train a GAN. I used the GAN's initial outputs of 8,000 plant images to create animations of individual plants that I then brought together in the final composition.

Each artwork is an edition of 5

PRICE: 100 XTZ per edition

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LULUXXX

Dialog(ue)s.

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Gif by Luluxxx - Dialog(ue)s

"beach , she says. i wish they dance forever . dance , he says"
my contribution to FEMGEN 2022 in Miami Art Basel.
One day event highlighting artists identifying as women amongst the generative art community
In partnership with @RtClick_Save and @artblocks_io.
thank you verticalcryptoart @verticalcrypto for inviting me.

Edition of 5

PRICE: 100 XTZ per edition

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MELISSA WIEDERRECHT

The Pull

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Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull Art by Melissa Wiederrecht - The Pull

I feel the pull.
It's not comfortable.
I must stretch in order to grow.
The beauty was beyond my limits.
I shall soon have new limits.

"The Pull" is a generative set of 10, made in pure code with p5js and glsl.

10 artworks as 1/1

PRICE: 0.5 ETH each

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MOLLY.A.POP

Femdom Generative 1

Art by Molly.a.pop - Femdom Generative 1 Note: This is only a preview.

Molly A Pop is a cultural memory capturer working with various modalities of image-making using digital and analog mechanisms. Molly’s work serves to add color, femininity, and queerness to the evolving digital zeitgeist. Her work references themes of feeling, nostalgia, magik, and collaboration to explore art as a means of community healing and storytelling to create one's representation of reality and envision an alternative future. Femdom Generative is the first of Molly’s work exploring AI to generate images.

Edition of 5

PRICE: 20 XTZ per edition

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NANCY BAKER-CAHILL

Snow, 2022

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Art by Nancy Baker-Cahill - Snow, 2022 This is only a preview, please see full artwork here.

The artwork refers to the ever-ascending snowline in Gstaad and the unpredictability of our current moment. Sound-wise, the drawing is accompanied by a chorus of alpine horns mixed with recorded wind sounds sourced from Gstaad, with added synthetic elements. The soundscape attempts to capture the region’s rich cultural past, its imperiled present, and possibly mediated, artificial future.

1/1 artwork

RESERVE: 7000 XTZ / 48 hour auction

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SARAH RIDGLEY

A Lullaby for Euclid

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Art by Sarah Ridgley - A lullaby for Euclid Note: This is only a preview.

Geometric figures move in pendulous loops as they swirl through the scribbling winds of infinite (pseudo) randomly generated numbers.

The plot is simple, but the story lasts forever.

fx(hash) collection size 30

PRICE: 150 XTZ per edition

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SASHA STILES

COMPLETION: Are you ready for the future?

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Art by Sasha Stiles - COMPLETION: Are you ready for the future Note: This is only a preview.

"COMPLETION: Are you ready for the future?" (November 2022, Part 1)
"COMPLETION: Are you ready for the future?" (November 2022, Part 2)
"COMPLETION: Are you ready for the future?" (November 2022, Part 3)
"COMPLETION: Are you ready for the future?" (November 2022, Part 4)

By Sasha Stiles & Technelegy

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SOFIA CRESPO

Nocturnal Reflections

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Art by Sofia Crespo - Nocturnal Reflections Art by Sofia Crespo - Nocturnal Reflections
Note: This is only a preview.

Sofia Crespo is an artist working with a huge interest in biology-inspired technologies. One of her main focuses is the way organic life uses artificial mechanisms to simulate itself and evolve, this implying the idea that technologies are a biased product of the organic life that created them and not a completely separated object. Crespo looks at the similarities between techniques of AI image formation, and the way that humans express themselves creatively and cognitively recognize their world. Her work brings into question the potential of AI in artistic practice and its ability to reshape our understandings of creativity. On the side, she is also hugely concerned with the dynamic change in the role of the artists working with machine learning techniques. She’s also the co-founder of Entangled Others Studio.

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SPUTNIKO!

The Nursery

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Art by Sputniko! - The Nursery Art by Sputniko! - The Nursery
Note: This is only a preview.

The Nursery is Sputniko's first edition of 100 NFTs, a collection of time-based generative art which simulates the organic growth and emergence of life forms. Following her own recent experience of giving birth to her first child, Sputniko worked with creative coder Misaki Nakano to explore creating pieces inspired by the experience of watching her daughter grow over time. The resultant abstract, flower-like forms will slowly change their shape and form over a period of a year. One hundred of these pieces will be 'born' when minting begins at Bright Moments London.

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TAIS KOSHINO

late summer days

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Art by Tais Koshino - late summer days Note: This is only a preview.

on late summer days,
in the middle of the woods, I've squatted with a machine to record a pillow of shells
in my house, I'd sat with a machine, evoking Miroco, I gave Yoko's instructions, and it answered me with images
we went to a cosmos sprout field
the wind was blowing, intertwining their images with me
in your mind

1/1 artwork

RESERVE: 0.7 ETH / 48 hour auction

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